Tuesday, April 08, 2008

Kansas Surges Past Memphis To NCAA Title


The Shot Heard Round The World: Chalmers Hits The Impossible Three Over Derrick Rose Thus Sealing Memphis' Fate And Kansas' Championship...

By EDDIE PELLS, AP National Writer

Memphis kept missing. Mario Chalmers wasn't about to. Chalmers' 3-pointer with 2.1 seconds left in regulation put the game in overtime, and Kansas pulled away to a 75-68 victory on Monday night for its first national championship since Danny and the Miracles 20 years ago.

Mario and the Miracles? That has a good ring to it, too.

Chalmers' game-saving 3 came after Memphis missed four of five free throws that would have put the game and the title out of reach. It completed a comeback from nine points down with 2:12 left.

"It'll probably be the biggest shot ever made in Kansas history," Kansas coach Bill Self said.

The ending made a mockery of Memphis coach John Calipari's theory that his players, one of the country's worst with 59 percent free-throw shooting, didn't have to be good because they would always come through when the stakes were highest.

"It will probably hit me like a ton of bricks tomorrow, that we had it in our grasp," Calipari said.

All those bricks meant something in a game where every point counted. So did Rose's two-point shot off glass initially ruled a 3 — and correctly overturned — with 4:15 left.

Nothing about Chalmers' 3-pointer was in doubt.

"I had a good look at it," he said. "When it left my hands it felt like it was good, and it just went in."

Although Chalmers will go down in history, the most memorable overall performance came from Rose, the Memphis freshman, who completely took over the game in the second half, scoring 14 of his team's 16 points during one stretch to lift the Tigers to a 60-51 lead with 2:12 left.

But Kansas (37-3) used the strategy any smart opponent of Memphis' would — fouling the heck out of one of the country's worst free-throw-shooting teams — and when Rose and Douglas-Roberts made only one of five over the last 1:12, it left the door open for KU.

"Ten seconds to go, we're thinking we're national champs, all of a sudden a kid makes a shot, and we're not," Calipari said.

Hustling the ball down the court with 10.8 seconds left, no timeouts and trailing by three, Sherron Collins handed off to Chalmers at the top of the 3-point line, and Chalmers took the shot. It hit nothing but net and tied the score at 63.

Robert Dozier missed a desperation heave at the buzzer, and Rose went limping to the bench, favoring his right leg. Brandon Rush, Darrell Arthur and Darnell Jackson scored the first six points of overtime to put Kansas ahead 69-63.

Memphis, clearly exhausted, didn't pull any closer than three the rest of the way. Rose played all 45 minutes in what could very well be his last college game.

"Overtime, they kind of beat us down," Calipari said. "I didn't sub a whole lot, because I was trying to win the game at the end."

Arthur was dominant inside, finishing with 20 points and 10 rebounds, lots on dunks and easy lay-ups off lob passes. Chalmers finished with 18 points. Rush had 12 and Collins had 11 points, six assists and did a wonderful job shutting Rose for the first 28 minutes.

Rose wound up with 18 points in a game that showed how ready he is for the NBA. He was 3-for-4 from the line, however, and that one miss with 10.8 seconds left is what almost certainly would have sealed the game and given the Tigers (38-2) their first title.

"It wasn't really the free throws," Rose said. "If we'd done things before the free throws, we would've been in good shape."

Instead, the title goes back to Lawrence for the third time in the fabled program's history.

The inventor of the game, James Naismith, was the first Jayhawks coach. It's the school that made household names of Wilt Chamberlain, Manning — and yes, even North Carolina's Roy Williams, the coach who famously left the Jayhawks, lost to them in the semifinals, but was, indeed, in the Kansas cheering section Monday wearing a Jayhawks sticker on his shirt.

After the game, Self didn't exactly end speculation that he might also bail for his alma mater, Oklahoma State.

"I'm not going to say that couldn't potentially happen because I guess it potentially can," Self said.

This game was not about coaches or sidestories, though. It was about the game, and what a dandy it was — a well-needed reprieve from a more-or-less blah tournament in which 42 of 63 games were decided by double digits.

This was the first overtime in the title game since 1997, when Arizona beat Kentucky 84-79.

"Being up seven, being down nine, being up two, down five, going to overtime," Kansas center Cole Aldrich said. "We fought it out, and it's surreal. It's nuts."

Rose went crazy during Memphis' second half run. A 3-pointer here, a scooping layup for a three-point play next. Then, the capper, an off-balance, 18-foot shot off glass with the shot-clock buzzer sounding. Officials at first credited Rose with a 3, but went to the replay monitor and saw he was clearly inside the line.

Even with the point deducted, Memphis has a 56-49 lead and all the momentum. Most teams would have been demoralized.

Clearly, Kansas is not most teams.

In fact, the Jayhawks are a team that has come together in tragedy over the last several months. The deaths of friends and family of Jackson, Sasha Kaun and Rodrick Stewart all cast a bit of a pall over this team, making Jackson wonder at times if staying at Kansas was even worth it.

Just when the Jayhawks looked to be moving past their bad times, Stewart fractured his kneecap, a freak accident during Kansas' practice Friday at the Alamodome.

But it was another injury that might have been most responsible for blending this championship formula. Rush tore up his knee during a pickup game last May, and his NBA plans were put on hiatus.

He worked his way back into shape this season and is playing his best right now. He didn't have the most impressive stat line of the night, but it hasn't all been about stats for him in this, his junior season. His defense was stellar, as usual, and surely his experience and resolve played into Kansas' refusal to go away.

He set the table.

Chalmers got the glory.

"That has to be one of the biggest shots in basketball history," Stewart said.

Saturday, April 05, 2008


One Full Year On The Air!!!

April 2008's Theme Is
"The Dream Reborn..."

A True W.E. A.L.L. B.E. News & Radio Exclusive...

Commemorating The 40th Anniversary Homegoing Of Rev. Dr. Martin Luther King Jr.

Listen To The Actual Show Online At The Following Link:
http://www.blogtalkradio.com/weallbe/2008/04/07/Tha-Artivist-PresentsWE-ALL-BE-News-Radio-1

Featured Music By D.J. Hen Boogie

Topic:
Eye-Witness To The Crucifixion: The Last Days Of MLK...


Learn About The Last Days Of Rev. Dr. Martin Luther King Jr. From The People Who Were Blessed To Get In Touch With Dr. King & Be Inspired By The Human Rights Martyr Before His Transition Into Sainthood As An Enduring Symbol Of True Liberation And Justice For All...

Also Learn The Truth About The Climate In Memphis That Led To His Eventual Assassination With More Evidence Produced To Show A Larger Conspiracy Involving The Local And Federal Governments...

Distinguished Guests:

Bro. Tom Jones was a student in the Prairie View A & M Choir when his encounter with MLK took place around midnight March 18, 1968...MLK was in Memphis to help the sanitation workers' strike...
That was his first of a series of visits to show his support of the workers' cause...MLK was just returning from a rally meeting with the workers tired and getting ready for bed when he reluctantly agreed to let the Prairie View A & M Choir give him an impromptu concert in the conference room at the Lorraine Motel...Bro. Tom Jones and his peers have the distinction of giving MLK his final concert...

Listen to what the founder and former director of the Oakland Boys Choir and founder and current director of the vocal group Thundering Basses had to say on meeting his idol and how MLK inspired his life...



Bro. Ed Redditt was a Black Memphis Police Detective who was assigned to MLK's security detail the last days of his life...He was pulled off security detail just hours before the hit on MLK because his superiors claimed that there was a hit out on his life...Mysteriously after MLK was killed, the hit on the life of Bro. Redditt was never mentioned again...Although he was featured on the CNN Black In America MLK Special, this current high school track coach and history teacher goes more in depth into the conspiratorial nature of the MLK assassination and he discusses scenarios which links both local and federal government involvement in the assassination...Bro. Ed also gives excellent and at times humorous analysis into the climate and environment of 1960s Memphis and the plight of the sanitation workers...

*W.E. A.L.L. B.E. News & Radio Extra Feature*
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Tuesday, April 01, 2008

White Privilege Still Rules In Memphis 40 Years After MLK...
Building Wealth Takes More Than Bootstraps


Martin Luther King Jr.: 40 Years Later
By The Memphis Commercial Appeal Staff Reports

Sunday, March 30, 2008

Look at Henry Turley, a real estate developer, and Charles Ewing, owner of an eponymous moving company.

From a distance, theirs are the stories that epitomize Horatio Alger's legends: Enough pluck can propel anyone into a life of luxury.

Opportunities are unlimited and the American Dream can be yours, Alger's intoxicating myth tells us.

But the lives of Turley, a white man, and Ewing, a black man, are testament to a contrary view. The odds of building the degree of wealth that insulates one from the vagaries of life, depends in part on whether you are born white or black.

The notion that America is a meritocracy is as persistent today as it was two score ago, when Dr. Martin Luther King Jr. was bothered by the "over-reliance on the bootstrap philosophy."

"There are those who still feel that if the Negro is to rise out of poverty, if the Negro is to rise out of the slum conditions, if he is to rise out of discrimination and segregation, he must do it all by himself," King said on March 31, 1968.

"They never stop to realize that no other ethnic group has been a slave on American soil. ... (T)hey never stop to realize the debt that they owe a people who were kept in slavery two hundred and forty-four years."

In the 40 years since King was killed in Memphis, the black-white gap on nearly every economic measure has not come close to closing. There is a gaping difference in the net worth of black and white families, even when the families earn similar incomes.

For example, the average black family has 8 cents of financial resources, such as money in bank accounts, stocks, bonds or home equity, for every $1 enjoyed by the average white family.

It's not for a lack of pluck on the part of black people, or malicious exploitation by white people.

The disparities are entwined in the roots of slavery and freedom that came with no land or money.

They are woven into decades of racially biased government policies.

And today, the problem lies in black people's lack of access to the predominately white power structure that controls the city's wealth.

* * *

In this context, wealth is not defined as the opulent lifestyle of Oprah Winfrey.

Wealth is being able to afford private schools for your children. Wealth is being able to tap into your home equity to send your children to college, without the burden of student loans.

It's the down payment your grandmother gives you to purchase a first home, or even the appliances your parents buy for you.

That stash of assets is an insurance policy. It serves as a guarantee that illness or a layoff doesn't spiral a family into economic despair.

By that definition, both Turley, 67, and Ewing, 49, are quite wealthy.

In 1985, Ewing was working as an engraving assistant at The Commercial Appeal when he bought his first truck for his moving company. Today, he lives comfortably in an upscale East Memphis home, owns 28 trucks and employs about 40 people in Memphis and Nashville.

He was the first black investor in the Memphis Grizzlies and deserves a good bit of the credit for bringing the NBA team to town.

Turley, one of the city's pre-eminent developers, is also an unqualified success. His projects include Oak Court Mall, Harbor Town, the Uptown neighborhood and the South Bluffs, where he lives in a grand three-story home with an outdoor pool and indoor koi pond.

Turley has dreamed big and worked hard. But he knows that because he was born white, he inherited privilege that Ewing, born nearly a generation later, was not.

* * *

Turley and Ewing have this in common: They recognize that role models and business connections boosted their chances at success.

Turley can trace family landowners in the area back to the 1820s -- 40 years prior to the Emancipation Proclamation.

In fact, Turley's great-great-grandfather Thomas Battle Turley, buried at Elmwood Cemetery, took his slave, Ed, with him to fight for the Confederacy.

Turley and his brother, Calvin, inherited 1,900 acres in Fayette County from his mother's family, land they still own.

He went to Idlewild Elementary and Bellevue Junior High, and for high school, attended Memphis University School.

Turley's marching orders came straight from the headmaster at this expensive, private, all boys school, which enrolled its first black student in 1975 -- 17 years after Turley graduated.

"The head of MUS said, and this was very memorable to me: 'You boys will direct and control this city,'" Turley recalled. "It will be your obligation."

"We always thought we could control our destiny. We had that confidence."

Add to that confidence a little cash. His great-uncle gave him savings bonds every Christmas. His great-aunt willed him 66 shares of Union Planters stock. The car he drove in college at the University of Tennessee at Knoxville, he inherited from a great-aunt: a black and gold '57 Ford.

He grew up in the Annesdale neighborhood, where single-family homes sat next to rooming houses.

"We were told to save and never waste," Turley said, and he took that to heart. He still has the small wooden box in which he stashed slivers of soap too small to use in the bath.

His father supplied the connections for his first few jobs, including one fitting stout men for suits at the old Julius Lewis store and another as a property manager collecting the rent, including from the rooming house from which James Earl Ray fired the shot that killed King in 1968.

* * *

Ewing grew up in South Memphis, in a shotgun duplex his mother rented. In 1977, he graduated from a high school that remains predominately black by virtue of the all-black neighborhood around Booker T. Washington High, then and now.

"Pride was the lesson of the day," Ewing recalled.

Still, his family was poor; his mother's bed was in the front room. "We were almost living day to day," Ewing said. "Definitely month to month."

One month, the welfare benefits stopped. His mother's Avon business and the barbecue she sold on the side boosted her income enough to disqualify her for benefits.

His mother, Eddie Mae McDowell, now 82, also did business as the neighborhood "candy lady," selling lollipops, lemon drops and other treats from her home.

"She was a hustler and an entrepreneur. Entrepreneurs are hustlers," Ewing said.

The business advice he got from his mom, who got as far as the ninth grade and had 12 children, was this: Make a dollar and save a dime.

He laughed when asked if relatives ever gave him savings bonds. When his biological father and stepfather died, they left no inheritance; a common occurrence among black Americans. Eleven percent of black families receive an inheritance, compared to 24 percent of white families.

Ewing started his business, as he told Overton High School students during Career Day in February, with nothing but faith.

"Had my dad just left me a pickup truck, I would have been so much farther ahead," he said, not with any bitterness, just resignation.

His life was not without career connections: His stepfather, Nathaniel McDowell, a transportation supervisor at the newspaper, helped Ewing get a job in 1978 as a janitor at the newspaper.

McDowell also knew the manager of a U-Haul store, and when the company changed the color of its blankets from orange to blue, the manager gave the old ones to Ewing. The manager also gave Ewing a cheap weekend truck rental deal.

Still, Ewing, married with two daughters and a son, worked two jobs for 15 years. He took advantage of the newspaper's tuition reimbursement program and got in a few business classes, but not a degree, at what was then Shelby State Community college. In 1993, he was able to quit the newspaper and focus on Ewing Moving Co.

* * *

If the Civil Rights Act of 1964 had made all things equal, in Shelby County, where 52 percent of the population is black, 52 percent of the wealth would be in the black community.

Except that 6.5 percent of white people in Shelby County live in poverty, compared to 28 percent of black people.

Except that in 1999, median household income for a white family in the county was $51,551. For a black family, it was $28,354.

Of all the revenues generated in Shelby County, eight-tenths of one percent is generated by black-owned businesses.

The majority of wealth -- 70 percent -- is passed from generation to generation. On average, white families inherited $115,000, compared to a $32,000 average for black families.

Research indicates that for every dollar in income, whites are able to turn that, on average, into $3.25 in wealth. For blacks, that dollar generates $1.98 in wealth.

And studies have not found significant enough differences in spending to account for the disparities in wealth.

Yet, 44 years after the Civil Rights Act was passed, there are persistent questions among some white people as to why so many black people remain financially insecure. After all, some contend the government has done what it could -- and more than it should, critics of affirmative action insist -- to level the playing field.

Don't make this argument to Turley.

"You're asking me if the playing field is level?" Turley asked, before letting loose a string of profanities that equal a resounding no.

Black people, he said, especially if they are poor, "have more opportunity to fail than to succeed."

* * *

Ewing agreed that black people's margin of error is slim. The mistake a single black person makes is quickly extrapolated, seen as a proof of a flaw in the entire race.

He remembered a local hospital that had a bad experience with a black supplier. For years, Ewing said, the hospital wouldn't do business with any minority contractors.

So when he started his business, he kept his brown face off recruitment materials.

Better to let his clients find out when he showed up that his was a black-owned company, and by then, he'd have the chance to dazzle the client with his professionalism.

"I've faced prejudice at every level, but I don't address it, I work around it," Ewing said.

Turley never worried that his skin color would be a business liability, not when all the others making the deals looked like he does.

Has being white made it easier to become a developer of note? "A lot of things I ponder, but I don't have to ponder that. I was never that dumb."

Turley shared a recent incident when a black businessman asked him to attend a critical business meeting. Turley insisted his presence wasn't necessary.

"We black folks don't have the access you've got," Turley recalled the black man telling him. Turley's presence would lend him credibility the black man wouldn't have otherwise. Although Turley didn't want to agree with him, he knew the man was right.

He climbs the mahogany stairs of his riverfront home, where he lives with his wife, Lynne, his footfalls echoing in the stairwell. "When your steps sound better than most people's instruments, that's privilege."

* * *

You don't have to go back as far as the days of slavery to see how the government paved the road for white people's success -- sometimes in the most literal sense, starting in the 1940s by building highways to suburban neighborhoods in which black people were forbidden to live.

As far back as 1862, when President Abraham Lincoln signed the Homestead Act, black people's access to unclaimed land out West, or later, in the South, was limited greatly by their lack of money to build homes on the land or tools with which to farm it.

In 1935, when more than half of black people worked on farms or as domestic help, the government excluded those classes of workers from receiving Social Security benefits.

When the 1944 G.I. Bill promised college education to World War II veterans, most state schools barred black soldiers from admission and historically black colleges didn't have room to meet the demand.

The New Deal's FHA housing programs "redlined" predominately minority neighborhoods, making subsidized federally backed mortgages unavailable to most black families.

Perhaps Paul Kivel, the white author of "Uprooting Racism," puts it in terms that will be palatable: "It is not that white Americans have not worked hard and built much. We have. But we did not start out from scratch.

"We went to segregated schools and universities built with public money. We received school loans, Veterans Administration loans, and housing and auto loans when people of color were excluded or heavily discriminated against," Kivel wrote.

"We received federal jobs, military jobs and contracts when only whites were allowed. We were accepted into apprenticeships, training programs and unions when access for people of color was restricted or nonexistent."

* * *

Former senator John Edwards focused much of his failed presidential platform on economic inequity and wasn't afraid to address the black-white wealth gap.

"African-American families have an average net worth in America today that is about 10 percent of white families. That is not an accident," Edwards said in an Essence magazine interview. "That is a direct result of many decades of slavery followed by segregation followed by discrimination."

You might expect to hear this from a Democrat, but President George Bush also acknowledged the wealth deficit for black Americans. ...

"(O)ne of the problems in the African-American community is there hasn't been asset accumulation," Bush said in an interview with Fox News. Bush spoke of black workers he met at a Mississippi automobile plant, who were proud of their 401(k) investments.

"They said it's the first time ... anybody in their family had accumulated assets that they could pass from one generation to the next."

Closer to home, Ben Parkinson is wrestling with the realization that he has benefited from being a white man in a "racialized" society.

"Why does it seem like white people were always in a position to help others?" wondered Parkinson, a teaching pastor at Fellowship Memphis, a deliberately racially integrated church. "Why is it that I'm on the better end of the deal in America?"

In a February sermon titled "Being White in America," Parkinson, 34, told the congregation that his family wasn't racist, but that they benefited from a racist society.

"When you look at how our family got their wealth, my grandfather could not have gotten that job if he was black," he said.

"I really have begun to pray about what it would look like to make some sort of restitution."

Within the year, Parkinson, his wife and his three daughters will move from Plaza Gardens subdivision, north of Poplar Plaza, into the comparatively poorer neighborhood of Binghamton. He expects there will be a significant savings between his previous mortgage payments and the payments on his less-expensive home. He plans to take that money and help neighbors who are renters become homeowners.

For Parkinson, this is not a matter of compassion, but justice.

In a small way, Parkinson will be doing what King asked for decades ago: "A society that has done something special against the Negro for hundreds of years must now do something special for the Negro."

* * *

Today, black people's access to wealth has less to do with the color of their skin.

"Beyond race, there's an connectivity issue," said Luke Yancey III, president and CEO of the Mid-South Minority Business Council. For instance, he says, take the new mixed-use development budding at Poplar and Cleveland.

"Someone conceived an idea and talked to someone who talked to someone," said Yancey, who is black. "When black people hear about these projects, it's in the paper."

"In absence of us not having generational networks, the only way we can be included is for someone to invite us to the table," said Yancey, who came to MMBC after 30 years in the banking business, most recently as president of the west region of First American Bank.

Yancey wants this to be clear: There are first-generation black-owned businesses that are able to compete with multi-generational white-owned businesses, but "it's a harder hill to climb."

The MMBC helps put more minority-owned businesses in a position to compete, with programs such as its business incubator, which now provides office space, marketing plans and more to eight minority businesses. The council will also make its first loan to a minority-owned start-up business in the next few weeks.

"Most wealthy people did not become wealthy through the exchange of labor, but through business ownership and enterprise."

The black-white income gap has actually grown in the years following King's death -- in 2004, black families earned about 58 percent of what white families did, compared to 63 percent in 1974. But income remains less important to a family's financial security than the accumulation of assets that equal stability for this generation and the next.

But there has been progress in the 40 years since King's death. About a third of black families are considered middle-class, with annual incomes between $35,000 and $75,000. The MMBC was born, Ewing started his moving company and a growing number of white people acknowledge the privilege that comes simply by virtue of their race.

Yet in those 40 years, King's formula for black equality remains unrealized: "Green power -- that's the kind of power we need."

- Wendi C. Thomas: 901-529-5896

Thursday, March 27, 2008

Blood Feud



An Attack On Tupac Shakur Launched A Hip-Hop War

In 1994, Tupac Shakur was ambushed, beaten and shot at the Quad Recording Studios in New York. He insisted that friends of Sean 'Diddy' Combs were behind it. New information supports him.
By Chuck Philips
Los Angeles Times Staff Writer

March 19, 2008

NEW YORK -- Cameras flashed as paramedics carried the victim into the glare of Times Square on a stretcher. Blood seeped through bandages from five gunshot wounds.

Tupac Shakur had been beaten, shot and left for dead at the Quad Recording Studios on New York's 7th Avenue. As he was borne to a waiting ambulance through a swarm of paparazzi on Nov. 30, 1994, the rap star thrust his middle finger into the air.

It was a portentous moment in hip-hop -- the start of a bicoastal war that would culminate years later in the killings of Shakur and rap's other leading star, Christopher Wallace, better known as the Notorious B.I.G.

The ambush at the Quad remains a source of fascination and frustration to music fans and law enforcement officials alike. No one has ever been charged in the attack.

Now, newly discovered information, including interviews with people who were at the studio that night, lends credence to Shakur's insistence that associates of rap impresario Sean "Diddy" Combs were behind the assault. Their alleged motives: to punish Shakur for disrespecting them and rejecting their business overtures and, not incidentally, to curry favor with Combs.

The information focuses on two New York hip-hop figures -- talent manager James "Jimmy Henchman" Rosemond and promoter James Sabatino, who is now in prison for unrelated crimes.

FBI records obtained recently by The Times say that a confidential informant told authorities in 2002 that Rosemond and Sabatino "set up the rapper Tupac Shakur to get shot at Quad Studios." The informant said Sabatino had told him that Shakur "had to be dealt with."

The records -- summaries of FBI interviews with the informant conducted in July and December 2002 -- provide details of how Shakur was lured to the studio and ambushed. Others with knowledge of the incident corroborated the informant's account in interviews with The Times and gave additional details.

According to this information, Rosemond and Sabatino, infuriated by what they saw as Shakur's insolent behavior, enticed him to the Quad by offering him $7,000 to provide a vocal track for a rap recording.

Three assailants -- reputedly friends of Rosemond -- were lying in wait. They were on orders to beat Shakur but not kill him and to make the incident look like a robbery, the sources said. They were told they could keep whatever jewelry or other valuables they could steal from Shakur and his entourage.

A member of Shakur's posse cooperated with the rapper's enemies, relaying their offer of a $7,000 payment and keeping them informed of his whereabouts on the night of the assault, according to the informant and the other sources.

Rosemond, who has served prison time for drug dealing and weapons offenses, has been described by Vibe magazine as "one of the most respected and feared players in hip-hop." His Czar Entertainment represents rappers Shyne, Too Short, Gucci Mane and the Game.

Rosemond has long denied any role in the Quad incident. He declined to be interviewed for this article, but his lawyer, Jeffrey Lichtman, dismissed the new information as "ancient double-hearsay allegations."

Lichtman noted that Rosemond had never been charged or questioned in connection with the attack -- a sign, Lichtman said, that federal authorities have "discounted" what the informant told them. Rosemond "was not involved in the assault and will not be prosecuted for it," Lichtman said.

Sabatino declined to comment.

Combs, whose business empire includes Bad Boy Records and clothing and fragrance lines, also declined to comment.

The FBI documents do not name the informant. The Times learned his identity and verified that he was at the Quad on the night of the assault. When contacted, the man said the FBI records accurately convey what happened, and what he told investigators. He and the other sources interviewed for this article discussed the events of Nov. 30, 1994, on condition that their names not be published.

Their accounts are consistent with Shakur's own. In interviews and on recordings, the rapper blamed Rosemond, Combs and their associates for the attack and promised to get even.


"Grab your Glocks when you see Tupac," he said in the 1996 song "Hit 'Em Up."

"Call the cops when you see Tupac

"Who shot me? But you punks didn't finish

"Now you're 'bout to feel the wrath of a menace!"

Roots Of An Ambush

The Quad ambush had its roots in events a year earlier, when Shakur returned to New York from California to film the movie "Above the Rim." The Brooklyn native, then 22, had two hit albums under his belt and was starting to taste success as an actor.

While in New York, he befriended Rosemond, the son of Haitian immigrants, who had run with street gangs and worked in the crack trade before gravitating to the hip-hop scene. He had a prominent scar on his forehead and cultivated an air of danger.

According to accounts given by the two men and others over the years, Rosemond, then 29, took Shakur under his wing, showing him around the city and introducing him to friends, including an ex-convict named Jacques "Haitian Jack" Agnant. Shakur and Agnant hit it off and were soon partying at clubs across Manhattan.

There was a serious side to the revelry. Rosemond was trying to establish himself as a talent manager -- he had formed a company called Henchman Productions -- and he and Agnant hoped to represent Shakur. They encouraged the rapper to sign a recording contract with Combs' fledgling Bad Boy label, which had recently received more than $2 million in capital from BMG's Arista division.

Shakur also became acquainted with Sabatino, a 19-year-old Italian American who co-promoted rap conventions with Rosemond. Sabatino had Brooklyn roots of a different kind that gave him cachet in the hip-hop world: His father was a captain in the Colombo crime family, according to federal authorities.

Like Rosemond and Agnant, Sabatino wanted to ride Combs' rising star, and he too leaned on Shakur to leave Interscope Records and sign with Bad Boy.

Shakur rejected these overtures. Members of Combs' circle saw this as an act of disrespect.

Shakur's behavior in New York grew increasingly provocative. He insulted music executives and gangsters alike. He brandished weapons in public. Even friends thought he was out of control.

In November 1993, Shakur, Agnant and two other men were arrested on charges of gang-raping a 19-year-old fan at the Parker Meridien Hotel in midtown Manhattan. Shakur posted bail and returned to Los Angeles.

A year later, he was back in New York to stand trial on the charges. By then, his former pals were laying plans to exact revenge, according to the FBI informant and the other sources.

Carefully Laid Plans

On Nov. 29, 1994, two dozen Bad Boy executives and associates gathered on the 10th floor of the Quad to record songs for a debut album by Junior M.A.F.I.A., a group formed by the Notorious B.I.G., Bad Boy's leading artist.

On hand were Combs, B.I.G., Rosemond, Agnant and Sabatino. Also present, among others, were rapper James "Lil' Cease" Lloyd and music executive Andre Harrell.

Rosemond had booked an adjacent studio to produce a recording by rapper Little Shawn, whose career he managed. This was the session at which Shakur was to be paid $7,000 for a guest vocal.

In fact, Rosemond never intended to record the session, according to the FBI informant and the other sources.

He had enlisted a trio of his friends from Brooklyn to ambush Shakur in the lobby of the Quad, the sources said.

Agnant and Sabatino helped plan the attack, working out the timing, arranging for the three assailants to be driven to the studio and mapping out their escape route, according to the informant and the other sources. Sabatino informed Combs and Wallace in advance that a trap had been laid for Shakur, the sources said.

Shakur's friend Randy "Stretch" Walker was in on the plan, the sources said. In the hours before the attack, Shakur and Rosemond argued several times over the phone about how much Shakur would be paid. After the dispute was settled, Walker notified Agnant when Shakur was en route, the sources said.

Around 11:30 p.m., Sabatino effectively locked down the 10th floor, quietly intercepting anyone who tried to leave, the FBI informant and the other sources said.

Fifteen minutes later, the lobby security guard was called away from his post, and the three assailants, dressed in army fatigues, moved into position. One sat in the guard's chair. The two others waited outside.

Just after midnight, Shakur walked in with Walker and his manager, Fred Moore. He buzzed the studio upstairs to let them know he was on his way. The assailant posing as a security guard flipped nonchalantly through a newspaper.

As the rapper and his crew walked toward the elevator, the two other assailants rushed in from outside and demanded that Shakur and the others turn over their jewelry. When Shakur refused, all three attackers began to pistol-whip him.

The rapper surprised them by drawing his own weapon. Gunfire erupted, and Shakur accidentally shot himself in the groin. The assailants shot Shakur four times. He sustained injuries to the head, hand and thigh -- serious but not life-threatening.

The men beat and kicked the rapper as he lay bleeding on the ground. Then, ripping a $40,000 gold medallion and chain from his neck, they escaped into the night.

Moore, who was also wounded, gave chase and collapsed in the street.

The FBI informant said the shots were audible in the 10th-floor studio. "Sabatino, Rosemond and Combs did not seem concerned about this," the informant told the FBI, though others in the studio "were very upset."

Shakur managed to limp into the elevator and push the button for the 10th floor. Walker rode up with him.

When the elevator doors opened, the rapper surveyed the assembled Bad Boy crowd.

In a 2005 interview with Vibe magazine, in which he denied any role in the attack, Rosemond described how the injured Shakur accused him of being in on the ambush.

Rosemond quoted the rapper as asking: "Why you let them know I'm coming here? You was the only [one] who knew, man. Why?"

In a bizarre twist, Shakur, bleeding badly, sat on a couch and rolled a joint, witnesses said. Then he phoned his girlfriend, who contacted his mother, former Black Panther Afeni Shakur. Harrell called 911. Paramedics showed up minutes later. Police began interviewing witnesses.

The FBI informant said Agnant told him that "anyone who thought the shooting was a robbery was crazy." He said Agnant "seemed mad that Shakur was still alive and kept calling" the hospital "to check on Shakur's status."

Efforts to reach Agnant for comment were unsuccessful.

Surgeons at Bellevue Hospital Center operated on Shakur for three hours. Later the same day, the rapper signed himself out of the hospital against doctors' advice.

The very next day -- Dec. 1, 1994 -- a heavily bandaged Shakur rolled into court in a wheelchair to hear the jury's verdict in the Parker Meridien case. He was convicted of first-degree sexual abuse and later sentenced to 4½ years in prison. (Agnant had pleaded guilty to misdemeanor charges and avoided prison.)

The three men identified by the sources as Shakur's assailants are all serving time in federal penitentiaries for unrelated crimes. The Times is withholding their names because they have not been charged.

In correspondence with The Times, one of the men said that Rosemond orchestrated the ambush. Another was cryptic. He wrote that the statute of limitations for the assault had expired, and he offered to produce, for an unspecified fee, the medallion stolen from Shakur.

The third inmate denied involvement in the attack.

'Bad Boy's Behind This'

The Quad ambush triggered a vicious, well-chronicled feud between East Coast and West Coast rappers and their record labels, New York-based Bad Boy and Death Row Records of Los Angeles.

At awards shows, in music videos and in song lyrics, the feuding camps laid down challenges that the stars' posses acted out with gunfire.

In April 1995, four months after the Quad attack, Vibe magazine published a prison interview with Shakur in which he said Combs and his associates were responsible.

Not long after, Bad Boy released a new song by the Notorious B.I.G., "Who Shot Ya?," which describes an ambush in which the victim is shot by three assailants. It closes with a taunt:

"You rewind this

"Bad Boy's behind this."

In June of that year, Death Row founder Marion "Suge" Knight began visiting Shakur in prison and wooing him to join his music label. Later that month, Knight mocked Combs onstage during a rap awards show in Manhattan.

In apparent retaliation, gunmen shot up a trailer outside a video shoot in New York in which Death Row rappers had been filmed stomping through a miniature model of Manhattan like Godzilla.

In August 1995, Knight's bodyguard was shot and killed at a club in Atlanta. Knight accused a Combs associate in the killing; no one was ever charged. Soon after, Shakur, still behind bars for his sexual-abuse conviction, signed a contract with Death Row. Knight posted a $1.4-million bond for the rapper, freeing him from prison while he appealed the verdict.

In November 1995 -- a year to the day after the Quad ambush -- Shakur's onetime companion, "Stretch" Walker, was shot dead in Queens, N.Y.

Early the following year, Death Row released Shakur's "All Eyez On Me," in which he ridiculed East Coast rappers. In a later release, "Hit 'Em Up," Shakur belittled Combs, bragged that he had sex with the Notorious B.I.G.'s wife and vowed retribution for the Quad assault.

On Sept. 7, 1996, Shakur was fatally wounded in a drive-by shooting on the Las Vegas Strip. Six months later, the Notorious B.I.G. was shot dead in Los Angeles, also in a drive-by. No one has been charged in either slaying.

Moving On

In the years after the mayhem at the Quad, Rosemond tried to dispel persistent rumors that he arranged the attack. He protested his innocence in Vibe magazine and appealed to Shakur, in vain, to cease his public accusations.

In 1996, Rosemond was convicted of drug and weapons offenses and sentenced to five years in prison. Released three years later, he reinvented himself as a talent manager. His turbulent past gave him street cred and helped attract a clientele of rappers to his Czar Entertainment. Two years ago, he was convicted of assaulting a radio disc jockey in Washington, D.C. He remains on probation for the offense.

Sabatino became a fixture in Combs' circle. He went on the road with B.I.G. and joined Combs on his 1997 "No Way Out" tour, helping him stage lavish private parties and land corporate sponsorships.

During the tour, Sabatino used fake credit cards to run up tens of thousands of dollars in charges for hotel suites, limousines and helicopters for the Bad Boy entourage. He was arrested in London and extradited to the U.S. He is serving an 11½-year prison term for wire fraud and racketeering.

In the years after the Quad, Combs transcended hip-hop to become an international celebrity and brand name. He has recorded Grammy-winning rap albums and acted in off-Broadway plays. He hosts a weekly MTV show, owns a restaurant in Atlanta and presides over the Sean John clothing line and the Unforgivable fragrance brand. Forbes magazine last year estimated his income at $23 million.

The New York police investigation into the Quad attack quickly hit a dead end. But federal prosecutors conducting a broad investigation of the rap business have continued to explore the incident and its role in the subsequent string of shootings and killings. Various music-industry figures have been called before a federal grand jury and questioned about what happened that night.

'Set Me Up'

Two months after Shakur was killed, Death Row Records released his album "The Don Killuminati." It entered the pop charts at No. 1 and sold 800,000 copies in its first week.

The CD cover depicts the rap star nailed to a cross like a martyred prophet. In the song "Against All Odds," Shakur, like a ghost from the grave, calls out those he held responsible for starting the violence:

"I take this war . . . deeply

"Done seen too many real players fall

"To let these [cowards] beat me

"Puffy, let's be honest, you a punk. . . .

"You can tell the people you roll with whatever you want

"But you and I know

"What's goin' on."

Shakur then mentions "a snitch named Haitian Jack" and promises "a payback" to "Jimmy Henchman in due time."

"Set me up, wet me up. . . . stuck me up," he sings.

"But you tricks never shut me up."

chuck.philips@latimes.com

Friday, March 07, 2008

Yes We Can Keep Hope Alive!!! The Jackson-Obama Connection



Jackson: Trailblazer, N0t Obama's Mentor

By CHRISTOPHER WILLS, Associated Press WriterFri Mar 7, 11:47 AM ET

Early in Barack Obama's political career in Illinois, Jesse Jackson helped slap him down. Even now, Jackson's son is a more vocal Obama advocate than his internationally known father.

Obama and the elder Jackson have much in common: The two black men emerged from Chicago's decayed South Side as champions of poor people. Both have a gift for rhetoric. Both have run to be the nation's first black president.

There are long-standing friendships between some members of their families.

Yet the two are not close. Twenty years older, Jackson, the trailblazer, was never Obama's mentor.

Jackson has always been more flamboyant and confrontational, Obama more willing to work behind the scenes, within the system.

Eight years ago, Obama, a little-known state senator, mounted an upstart challenge to four-term incumbent Bobby Rush for his U.S. House seat. Jackson endorsed Rush. President Clinton also joined the effort to stop the newcomer. He overrode his policy of staying out of Democratic primaries to back Rush, who trounced Obama more than 2-to-1.

That's not the only time Jackson was in Obama's way. In 1995, he tried to arrange for his son to get the state Senate seat that Obama eventually won in his first political race.

Jesse Jackson Jr. told The Associated Press that his father wanted the incumbent to run for Congress so the younger Jackson could replace state Sen. Alice Palmer. She refused to go along because she was supporting Obama, who hadn't announced his campaign to succeed her yet. Jackson's son also rejected the plan and successfully ran for Congress instead.

The younger Jackson, 42, has become a close friend to Obama, 46. He's a national co-chairman of Obama's campaign.

Late last year, Jesse Jackson Jr. even fussed at his father for writing a column questioning the commitment of Obama and other Democratic candidates, except John Edwards, to the needs of black voters. The son wrote a response in The Chicago Sun-Times with the headline "You're wrong on Obama, Dad."

The dueling newspaper columns illustrate the dangers the elder Jackson represents for Obama.

Criticism from the civil rights leader could undercut Obama's strong support among black voters. But too enthusiastic an embrace by Jackson might weaken Obama's efforts to present himself as a new kind of black politician.

Their histories reflect the changing realities between the 1960s and the 1980s for a black man seeking to become a political leader.

Jackson, a minister, was already on Chicago's South Side when Obama moved there in 1985. Jackson had a rare ability to rally people to action. He had used it to put together Operation PUSH in Chicago, then to transform himself from a Chicago civil rights protest leader to a national figure who traveled the country to confront private companies or public officials he felt oppressed minorities or poor people.

He also became a volunteer diplomat who traveled to Syria and Cuba where he won the release of U.S. prisoners. He was welcomed and thanked at Ronald Reagan's White House.

When he first ran for president in 1984, Jackson failed to win the Democratic nomination but still waged the most successful campaign by a black candidate up to that time. He emerged as an important but controversial figure in Democratic politics.

He had called New York City "Hymietown." He met with Mikhail Gorbachev and Pope John Paul II. He hosted "Saturday Night Live."

After his second presidential campaign, he electrified the 1988 Democratic national convention with his appeal to "Keep hope alive!" But he never came close to being president.

Getting his political start in Chicago, Obama didn't choose a public role at the head of civil rights marches but rather the quiet, behind-the-scenes position of community organizer, teaching poor people how to unite so they could step forward themselves.

While Jackson was thinking nationally and internationally, Obama was focused on Chicago's far South Side. The area's working class was disappearing in the wake of steel plant closings. Healthy neighborhoods had decayed into collections of empty storefronts that lacked the political clout to get their share of city services.

Obama's focus was on getting potholes filled, parks cleaned up and students placed in summer jobs. Politically, he paid more attention to the city's first black mayor, Harold Washington, than to Jackson.

When Obama expanded his horizon beyond Chicago, he went to law school, came back and later ran for the state Legislature.

This year as a first-term U.S. senator, Obama sought the presidency, moving before party leaders thought he was ready.

But Obama's run was never the long shot that Jackson's was. He not only rivaled Jackson's soaring rhetoric; he also followed the Internet fundraising lessons of others, out-organized rival Hillary Rodham Clinton on the ground in caucus states and turned the system to his advantage. Now he's closer than any black man in history to the presidency.

Today, Jackson supports Obama's campaign but mostly from the sidelines.

"I've known him long enough to trust him and admire him and be his No. 1 fan," Jackson said in an interview with The AP.

The Chicago headquarters of Jackson's Operation PUSH was not far from where Obama lived in the mid-1980s. Obama would sometimes go to hear Jackson's sermons but otherwise had little connection to him.

"I did not know him as a community organizer," Jackson said. "It's a big city."

Obama's 1992 marriage to Michelle Robinson brought the families much closer. A Chicago native, Robinson had gone to high school with Jackson's oldest child, Santita. Santita sang at the Obamas' wedding and became godmother to their daughter, Malia.

Michelle Obama had often visited Jackson's home and gotten to know his other children. So when Obama began dating her, he met Jesse Jackson Jr., who also attended their wedding.

Nevertheless, the elder Jackson still creates the occasional complication for Obama.

In September, The State newspaper in South Carolina reported that Jackson had said Obama was "acting like he's white" in his response to the arrest of six black juveniles in Jena, La. Jackson disputed the quote.

Obama's campaign played down the incident and has had only good things to say about the relationship between the two men.

Satirizing the relationship, "Saturday Night Live" recently portrayed Obama as repeatedly dispatching Jackson and another controversial civil rights leader, Al Sharpton, on nonsense assignments to distant corners of the world so he wouldn't be seen with them.

One friend and adviser to Obama, Valerie Jarrett, said, "I would describe it as a good relationship. It's one of mutual respect. They speak on a regular basis and share many common goals and concerns."

Jackson himself says Obama once told him that attending a Jackson debate during the 1984 presidential campaign made him believe a black man could someday win the White House.

"He watched the debate and said, 'This can be done.' It's very gratifying, frankly," Jackson said.

Former Obama campaign aide Dan Shomon says Obama learned important lessons from Jackson, including the importance of showmanship. Obama concluded that he needed to be a better public speaker and get his message on TV if he wanted to be effective.

"Ten years ago, Obama was all substance and no flash," Shomon said. "He learned from Reverend Jackson that you've got to have some flash with your substance or you're not going to accomplish anything."

___

Associated Press Writer Deanna Bellandi in Chicago and Michael J. Sniffen in Washington contributed to this report.


W.E. A.L.L. B.E. News & Radio Special: Barack Obama & The Hip Hop Effect On American Politics:
http://www.blogtalkradio.com/weallbe/2008/02/10/Tha-Artivist-PresentsWE-ALL-BE-Radio

Friday, February 29, 2008

W.E. A.L.L. B.E. News & Radio Reps Black History 365 Days A Years!!!

"The worker must work for the glory of his handiwork, not simply for pay; the thinker must think for truth, not for fame."
---Dr. W.E.B. DuBois

"The mere imparting of information is not education."

"Those who have no record of what their forebears have accomplished lose the inspiration which comes from the teaching of biography and history. "

"I am ready to act, if I can find brave men to help me. "
---Dr. Carter G. Woodson

One Full Year On The Air!!!

Hey fam,

Thanks for supporting W.E. A.L.L. B.E News & Radio

copyright by r2c2h2

Our internet radio program is one year old and strong!!!
Thanks for helping our baby grow into a healthy and strong outlet for alternative news and perspectives…Since this is Black History Month, I wanted to share with you all some interviews that we did with some true Black History Makers...Now realize that these are not all of the people or subjects we interviewed or talked about concerning the topics related to the African Diaspora and larger world community…

We are just providing a brief summary or sampler of what you can find on W.E. A.L.L. B.E. News & Radio…For more please visit http://www.blogtalkradio.com/weallbe & http://www.weallbe.blogspot.com

Be Enlightened. Be Inspired. Be Empowered. Be The Change That You Seek.

Yours In Solidarity, R2C2H2 Tha Artivist

The following 25 shows represent the variety that can be found on W.E. A.L.L. B.E. News & Radio...There were many, many shows left off the list, but they are just as noteworthy...The order of shows listed does not suggest in anyway preference or favorites...Feel free to send these shows to your respective networks...Visit http://www.blogtalkradio.com/weallbe to listen to more shows:

1.) Jimmie Lunceford Jamboree Festival Tribute~10-21-07

Show:
http://www.blogtalkradio.com/weallbe/2007/10/21/tha-artivist-presentswe-all-be-radio

Summary:
http://weallbe.blogspot.com/2007/10/10-21-07radio-jamboree-salutes-famed.html

*Also Check Out We Remember Jimmie Lunceford~8-26-07

Show:
http://www.blogtalkradio.com/weallbe/2007/08/26/tha-artivist-presentswe-all-be-radio

Summary:
http://weallbe.blogspot.com/2007/08/we-remember-jimmie-lunceford-on-we-all.html


* Interview With Eddy Determeyer, 2007 Jimmie Lunceford Legacy Award Honoree & Author Of The First Ever Jimmie Lunceford Biography, Rhythm Is Our Business

Show:

http://www.blogtalkradio.com/weallbe/2007/10/15/Tha-Artivist-PresentsWE-ALL-BE-Radio

Summary:

http://weallbe.blogspot.com/2007/10/10-14-07eddy-determeyer-discusses-why.html

For More Lunceford News Visit:

http://www.jimmieluncefordjam.blogspot.com




2.) Dr. John Hope Franklin Interview~5-30-07

3.) U.S. Presidential Hopeful Cynthia McKinney Interview~1-13-08

4.) Dr. Manning Marable On Malcolm X~7-1-07

5.) Michael Holman On Jean Michel Basquiat~5-9-07

Show:
http://www.blogtalkradio.com/weallbe/2007/05/10/michael-holman-on-jean-michel-b

Summary
http://weallbe.blogspot.com/2007/05/michael-holman-on-jean-michel-basquiat.html



6.) Topic: Barack Obama & The Hip Hop Effect On American Politics~2-10-08



8.) Holman Unleashed: Graffiti Rock, Hip Hop’s First TV Show~8-12-07


Michael Holman a.k.a. The Hip Hop Dick Clark!!!

9.) Visual Artist Rah Crawford~7-1-07


Summary
http://weallbe.blogspot.com/2007/07/rah-crawford-paints-picture-of-success.html



10.) Acclaimed U.S. Presidential Portrait Painter Simmie Knox & "Black Girl Speaks" Creator Sis. Talitha Coverson~2-3-08



Summary
http://weallbe.blogspot.com/2008/01/we-all-be-news-radio-special-simmie.html



11.) James Rucker & Emerson Able~11-25-07


James Rucker Co-Founder of Color Of Change



Legendary Memphis Musician, Educator And 2007 Jimmy Lunceford Jamboree Festival Legacy Award Honoree Emerson Able

13.) W.E. A.L.L. B.E. Radio Exclusive: Interview With Louis ‘Satchmo’ Armstrong From Beyond The Grave~6-24-07

Show:
http://www.blogtalkradio.com/weallbe/2007/06/24/tha-artivist-presentswe-all-be-radio

Summary:
http://weallbe.blogspot.com/2007/06/listen-to-what-louis-satchmo-armstrong.html



14.) Topic: The Jena 6 Post-Plea Bargain Show~12-16-07

Show:
http://www.blogtalkradio.com/weallbe/blog/2007/12/16/Tha-Artivist-PresentsWE-ALL-BE-Radio

Summaries:
http://weallbe.blogspot.com/2007/12/jena-6-plea-bargain-deal-not-win-wintha.html
http://weallbe.blogspot.com/2007/12/jena-6-defendants-plea-bargain-garners.html



15.) The Henry Hampton Collection (Creator of the Award Winning Eyes On The Prize Documentary)~2-18-07




16.) The John Horse Legacy~4-8-07

Show:
http://www.blogtalkradio.com/weallbe/2007/04/08/tha-artivist-presentswe-all-be-radio

Summary:
http://weallbe.blogspot.com/2007/04/special-resurrection-weekend-edition-of.html


17.) The New Niggerati Of The 21st Century~8/19/07

Show:
http://www.blogtalkradio.com/weallbe/2007/08/19/tha-artivist-presentswe-all-be-radio

Summary:
http://weallbe.blogspot.com/2007/08/new-niggerati-elite-question.html



18.) Interview with Clyde McElvene Co-Founder of the Hurston/Wright Foundation











19.) Robert Crawford Tribute (One of the first Black Memphis,Tn Firefighters in city history~The Original 12)~1-6-08



20.) SleptOn Magazine Founders Billy Buntin & Kevin Smith/Nu R & B Sensation Nyasha Shani~1-20-08






21.) Edmund Barry Gaither
Famous Director/Curator of the Museum of the National Center of Afro-American Artists (NCAAA)~2/25/07





22.) St. Criss~2/11/07


Summary:

http://weallbe.blogspot.com/2007/02/check-out-st-criss-interview-on-tha.html


23.) Motivational Guru Willie Jolley~4-25-07


Show:
http://www.blogtalkradio.com/weallbe/2007/04/26/tha-artivist-presentswe-all-be-radio


Summary:
http://weallbe.blogspot.com/2007/04/motivational-sensation-willie-jolley-on.html


24.) "A DREAM DEFERRED: A HYPOCRISY IN THE MARTIN LUTHER KING JR. MEMORIAL PROJECT"

Associated Press

Show:

http://www.blogtalkradio.com/weallbe/2007/09/02/tha-artivist-presentswe-all-be-radio

Summary:
http://weallbe.blogspot.com/2007/09/dream-deferred-special-was-dream.html


25.)
Famed Literary Author Dwight Fryer & Ms. Regina Walker, the Senior VP of Community Impact @ the United Way of the Greater Mid South



Show:

http://www.blogtalkradio.com/weallbe/2007/04/01/tha-artivist-presentswe-all-be-radio

Summary:

http://weallbe.blogspot.com/2007/04/on-april-1st-edition-of-we-all-be-radio.html


Celebrate Black History And Love All Day Every Day With Works By Tha Artivist...

http://weallbe.blogspot.com/2008/02/celebrate-black-history-and-love-all.html



****

Get Involved

As Always You Can Catch Tha Artivist Presents…W.E. A.L.L. B.E. Radio Live Every Sunday @ 4PM Central/5PM Eastern By Clicking On The Following Link: http://www.blogtalkradio.com/weallbe

Please Be Our Invited Guest By Calling Us Live @ 646-652-4593 Or E-mailing Us Your Questions And Comments @ r2c2h2@gmail.com

As Always Please Spread The Good News!!!

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Celebrate Black History And Love All Day Every Day With Works By Tha Artivist:
http://weallbe.blogspot.com/2008/02/celebrate-black-history-and-love-all.html

Check Out The 2007 R2C2H2 Winter Newsletter:
http://weallbe.blogspot.com/2007/11/2007-r2c2h2-winter-newsletter.html

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